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3 pages

APA

SOURCES:4

Scenario: Perhaps one of the most enduring beliefs about education relates to the concept of learning styles. Most people can probably identify whether they are more Visual, Auditory, or Kinesthetic learners, and it is popular to build teaching strategies around these different styles. However, recent research suggests the link between learning and teaching approaches designed around learning styles may be a myth. Howard Gardner, the Hobbs Professor of Cognition and Education at Harvard University, who coined the phrase “multiple intelligences,” even argues that his multiple intelligences theories have been misinterpreted and simplified into “learning styles.”

What are instructors to do? On the one hand, learning styles is a concept that seems meaningful to teachers and students; often students will expect that classes be tailored to their individualized learning styles. On the other hand, the research suggests that doing so may not meaningfully contribute to learning.

Purpose: First, research and analyze the conversation around multiple intelligences and learning styles. Does it seem like a myth, or is there value in tailoring learning activities after these styles? Next, based on your research and your personal learning experiences, write a research-based proposal essay that suggests ways your CMU English instructor could design class activities and writing assignments to account for your findings.

Essay genre: Research-based Proposal Essay

Essay audience: Your CMU English instructor

Details:

· Essays should effectively integrate outside research sources.

· All sources should be correctly cited using either MLA or APA style.

Common Assessment Scoring Rubric

4

Exceeds Expectations

3

Meets Expectations

2

Approaches Expectations

1

Fails to Meet Expectations

Thesis/Purpose The writer…

· Presents a focused and sustained argument;

· Proceeds with purpose appropriate for writer situation;

· Pursues sophistication and complexity

The writer…

· Has a readily identifiable argument;

· Presents a generally clear and focused sense of purpose;

· Makes moves toward sophistication and complexity.

The writer…

· Has an argument, but one that might not be entirely unified, sustained, or immediately identifiable,

· Pursues an ill-defined or inappropriate purpose;

· Leans towards the obvious and simplistic

The writer…

· Lacks a central argument or provides an argument severely incongruent with purpose;

· Is obvious and simplistic.

Development and Support The writer…

· Provides sufficient, relevant, and specific support;

· Explores complexity through full, sensitive discussion of ideas and information;

· Is sensitive to the subtleties of audience reactions.

The writer…

· Provides satisfactory support;

· Moves towards complexity with discussion that explores, rather than simply presents, ideas and information;

· Accounts for audience reactions.

The writer…

· Provides support that may be ill-chosen, insufficient, or vague;

· Resists complexity with discussion of ideas and information that is often brief and general;

· Takes audience’s reactions into little account.

The writer…

· Provides little support and/or support that is ill-chosen or vague;

· Is overly simplistic and mostly lacks discussion;

· Seems indifferent to audience reactions.

Organization, structure, and coherence The writer…

· Introduces and concludes effectively;

· Employs logical, consistent, and coherent organizational units;

· Arranges and sequences information appropriately for audience, purpose, and situation;

· Highlights connections between ideas and builds coherence.

The writer…

· Introduces and concludes satisfactorily;

· Employs organizational units that might occasionally want for logic, coherence, or consistency;

· Arranges and sequences information in an orderly, predictable fashion;

· Frequently builds coherence and highlights connections between ideas.

The writer…

· Introduces and concludes perfunctorily;

· Employs organizational units that can lack clear evidence of underlying logic, coherence, or consistency;

· Arranges and sequences information somewhat haphazardly or simplistically;

· Takes few steps to highlight connections between ideas and build coherence.

The writer…

· Includes severely underthought introduction or conclusion (or no introduction or conclusion);

· Employs organizational units that are haphazard (or fails to employ organizational units);

· Lacks direction in the arrangement and sequencing of information;

· Does not highlight connections between ideas and build coherence.

Language The writer…

· Chooses a tone and level of formality appropriate for audience, purpose, and situation;

· Uses language and syntax for deliberate effect;

· Usually employs sophisticated, engaging language and precise word choice.

The writer…

· Employs proficient and unobtrusive, if unmodulated, tone and level of formality;

· Occasionally uses language and syntax for deliberate effect;

· Occasionally uses sophisticated engaging, and precise word choice.

The writer…

· Employs a tone and level of formality that may be inappropriate for audience, purpose, and situation;

· Uses language and syntax that shows little regard for effect;

· Uses language that can be imprecise, unclear, or incorrect.

The writer…

· Employs a tone and level of formality inappropriate for audience, purpose, and situation;

· Uses language and syntax haphazardly;

· Frequently employs imprecise, unclear, or incorrect language.

Mechanics The writer…

· Usually follows appropriate conventions for spelling, grammar, and usage;

· Cites sources according to relevant conventions with few, minor formatting errors.

The writer…

· Often follows appropriate conventions for spelling, grammar, and usage, with some errors;

· Cites sources within the basic guidelines of relevant conventions, but with some minor errors.

The writer…

· Contains several errors in spelling, grammar, and usage;

· Cites sources, but loosely or casually and with disregard for relevant conventions.

The writer…

· Contains many errors in spelling, grammar, and usage;

· Does not cite sources or cites sources in such a way as to make it extremely difficult to find original sources.

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