Neil Postman in his essay “future shlock” states “… this is what i wish to call to your notice: the frightening displacement of serious, intelligent public discourse in American culture by imagery and triviality of what may br called show business” (525). Mitchell Stephens also calls our attention to the power of media and the “dazzling collages of imagery and rhythm [that] are assembled just to get us to open our eyelids a bit wider.” (230)
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