- In chapter one, Pozner “unravels” the twisted fairytales told in reality T.V. She expands her analysis to other forms of media. What does she mean that princes are for hire and princess are for sale?
- According to Pozner, how does popular culture mistake the trappings for love within the “twisted fairytale”?
- Give two examples of what Pozner means by claiming that the fairytale relies on culturally ingrained buttons?
- As you watch the episode of The Swan, provide specific examples that illustrate exclusivity, conformity, and banishment, according to Pozner.
- How does the episode of The Swan demonstrate humiliation (as Pozner defines it)?
- Provide two examples from Martin how the egg is constructed as feminine according to the narrative.
- Provide two examples from Martin how the sterm is constructed as masculine according to the narrative.
- Elaborate on the ways in which gender impact the construction of the “romance” between the sperm and the egg in scientific narratives.
- Why, according to Martin, is it relevant to analyze this narrative critically?
- According to Palmer, what are the two types of families on display in Extreme Makeover: Home Edition?
- Draw two connections between the role of reading romance novels (Radway) and watching reality T.V. (Pozner).
