Photography and Art The invention of photography during the 19th century—and its further development in the 20th, with the additional capacity for color and motion—made it possible to capture accurate two-dimensional images directly, without the talents of artists and painters. And yet the visual arts continued to thrive. Which elements of the painterly traditions transferred easily into the composition of photographs and which did not? How might the availability of photography have contributed to changes ‌‌‌‍‍‌‍‌‌‍‍‌‍‍‌‌‌‍‍ in the style employed by painters during this period? Readings In Landmarks in Humanities: Review from Chapter 10, “Baroque: Piety and Extravagance,” pages 271–288. Review from Chapter 12, “Romanticism: Nature, Passion, and the Sublime,” pages 341–350. Read Chapter 13, “Materialism: The Industrial Era and the Urban Scene,” pages 358–385. Read from Chapter 14: “Modernism: The Assault on Tradition,” pages 398–409. Landmarks in Humanities Gloria Fiero ‌‌‌‍‍‌‍‌‌‍‍‌‍‍‌‌‌‍‍ 126025349X